
The Age Of Innocence - a Scorcese masterpiece.

The film is based on a novel by Edith Wharton, who died in the 1930s. The age of innocence, as she called it with fierce irony, was over long before she even wrote her book. Yet she understood that the people of her story had the same lusts as we barbaric moderns, and not acting on them made them all the stronger.
"The Age of Innocence" is filmed with elegance. These rich aristocrats move in their gilded circles from opera to dinner to drawing room, with a costume for every role and every time of day. Scorsese observes the smallest of social moments, the incline of a head, the angle of a glance, the subtle inflection of a word or phrase. And gradually we understand what is happening: Archer is considering breaking his engagement to May, in order to run away with the Countess, and everyone is concerned to prevent him - while at no time does anyone reveal by the slightest sign that they know what they are doing.
Each performance is modulated to preserve the delicate balance of the romantic war. Daniel Day-Lewis stands at the center, deluded for a time that he has free will. Michelle Pfeiffer, as the countess, is a woman who sees through society without quite rejecting it, and takes an almost sensuous pleasure in seducing Archer with the power of her mind. At first it seems that little May is an unwitting bystander and victim, but Winona Ryder gradually reveals the depth of her character's intelligence, and in the last scene all is revealed and much is finally understood.
At the beginning of "The Age of Innocence," it seems a world completely alien to us. By the end, we realize these people have all the same emotions, passions, fears and desires that we do. It is simply that they value them more highly, and are less careless with them, and do not in the cause of self-indulgence choose a moment's pleasure over a lifetime's exquisite and romantic regret.
Review ID: 10000000006398745

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