
Spider-Man (DVD 2002)
3 of 3 people found this review helpful.
Tobey Maquire dons the familiar red and blue costume of "your friendly neighbourhood Spider-Man" for this adaptation of the much-loved comic book. Sam Raimi directs
As comic-book characters go, Spider-Man was ripe for movie adaptation. Indeed, a big-budget excursion was on the cards for a decade and a half (it was mired in legal battles). Since his first appearance in 1962, he's become one of the most recognisable comic characters. Spider-Man's popularity was built on the fact that his co-creator, Stan Lee (who executive produced the movie), made his human alter-ego an ordinary teen (like the majority of comics readers at the time). Even after he's acquired super-powers the boy still has to contend with everyday concerns - unlike the alien, godlike Superman, or schizophrenic millionaire Bruce Wayne.
Peter Parker (Maguire) is the class geek ("quite the science whizz"). Bullied at school and ignored by the neighbour he adores ("the woman I've loved since before I even liked girls"), Mary Jane Watson (Dunst), Peter's only friend is Harry Osborne (Franco), the son of industrialist Dr Norman Osborne (Defoe).
On a school trip, Peter is bitten by a "genetically designed super-spider" (in the 60s it was a radioactive spider). Suddenly he's able to squirt webbing, climb walls, and sense attack. Peter tests his new abilities by going a round in a wrestling ring. The promoter cheats Peter, so our hero lets a robber - who has stolen the wrestling organiser's stash - escape. When the fleeing thief shoots Peter's beloved Uncle Ben (Robertson), it's a turning point. Wracked with guilt, Peter finally understands his uncle's comment that "with great power also comes great responsibility". He turns to fighting crime. Soon he encounters his first super-villain adversary, the Green Goblin - none other than Norman Osborne, transformed by testing his company's "human performance enhancers" on himself.
Sam Raimi's film, written by David Koepp (Panic Room), incorporates much of the original Spider-Man story, while taking a few liberties (organic webbing instead of synthetic polymer is the most contentious among fans). So while Peter gets work as a freelance photographer at the 'Daily Bugle', supplying photos of Spidey for editor J Jonah Jameson (Simmons, giving a lively turn supplying such lines as "If we can get a picture of Julie Roberts in a thong, we can get a picture of Spider-Man!"), the film conflates the comic's character of Gwen Stacy into MJ Watson. This all works fine - like the adjustments made for the X-Men movie, it assists comprehension for the uninitiated.
Spider-Man is a good blockbuster: it's fun and entertaining. The scenes of Spidey swinging down the canyon-like streets of New York are exhilarating; Raimi even incorporates some point of view shots that follow the arc of Spidey's swing, skimming the roofs of cars before soaring upwards. (However, there are some moments when the CGI is decidely ropey). Maguire does an excellent job of capturing both the adolescent uncertainty of Parker and the glee of suddenly finding himself a superhuman. However, the challenge with any superhero movie is to balance the human dimension with the action. Koepp struggles with this challenge: much of his characterisation is weak and some of the dialogue is awful.
Verdict
Colourful, energetic and well-cast, Spider-Man is a good-quality, highly-entertaining action movie.
Review ID: 10000000006539391

Thank you for voting. If your vote meets our
guidelines, it will be posted within 24 hours.
You cannot vote on the helpfulness of a review you wrote.
Your request cannot be processed at this time. Please try again later.