
Spider-Man 2 (DVD 2004)
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The web-spinning superhero returns to do battle with landlords, Doctor Octopus and his own romantic inhibitions
Confident, exciting, funny and crafted with real heart, Spider-Man 2 exceeds the kind of expectations that accompany Hollywood superhero blockbusters and sequels.
Sequels are normally exercises in cynicism, with screenwriter William Goldman memorably declaring them to be "whore's movies" (perhaps The Godfather II and The Empire Strikes Back are the exceptions that prove his rule). Yet on the back of 2003's entertaining X-Men sequel and now this second outing for Spider-Man, you wonder if certain sources lend themselves to further cinematic chapters. With 30 years of continuity for filmmakers to draw upon, the comic franchises have the potential to form deeper, more interesting stories with each instalment. Certainly Spider-Man 2 is a vast improvement on its predecessor.
Set two years after the events of Spider-Man (adroitly re-capped in the opening credits of the sequel by startling illustrations from comic artist Alex Ross), young Peter Parker (Maguire) is struggling to make ends meet in New York. The responsibilities of his crime-fighting alter ego are eating into his studying, his relationship with Mary Jane Watson (Dunst) and his job as a delivery boy. Rushing to deliver a batch of pizzas, Parker changes into Spider-Man to make it in time, making for an off-beat opening action sequence.
In this pizza delivery sequence, director Sam Raimi takes Stan Lee's groundbreaking approach to superheroes - fantasy adventures rubbing up against the real world of jobs and relationships - into fertile comic territory. It helps that Raimi's timing is so confident. The contemporary Hollywood mannerism of disorientating editing has left many blockbusters suffering death by a thousand cuts. By contrast, Raimi playfully draws out scenes to hilarious effect; one sequence in an elevator sees Spider-Man sharing embarrassed small talk, even confessing his costume "rides up in the crotch a bit".
The success of the first Spider-Man film (it took $820 million in worldwide box office gross) has given director Raimi the freedom to truly excel. The biggest improvement is the villain. Where Willem Defoe's Green Goblin was trapped behind a plastic mask, or forced to monologue tiresomely into a mirror, now we get Alfred Molina as Otto Octavius (later to become Doctor Octopus), a far more terrifying proposition.
Scientist Otto Octavius is experimenting with fusion, trying to create a small sun to solve man's energy problems. To help him in his work, he creates four artificially intelligent arms that connect directly into his nervous system. When the fusion experiment goes horribly wrong, his higher mental functions are overcome by the predatory minds of his arms. As hard-bitten newspaper editor J Jonah Jameson (Simmons) remarks, "Guy called Otto Octavius ends up with eight arms. What are the chances of that?"
Seething around him like snakes on the head of Medusa, the arms are characters in their own right; the devil on his shoulder, the evil little voice at the back of his mind. In one terrifying sequence in an operating theatre, the mechanical limbs lash out at the surgeons trying to remove them from Octavius' spine. It is a horrorshow straight out of Raimi's Evil Dead, complete with obligatory chainsaw.
Verdict
Deeper, darker, funnier and more exciting, it's almost as good as X-Men 2.
Review ID: 10000000006539475

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