
The best film of its genre, unmissable.
4 of 4 people found this review helpful.
If I were only allowed to take 5 DVDs to my desert island, this would be one of them.
Amazingly, British director Tony Kaye allegedly tried to disown this film and wanted to credit it to the now infamous fictional director ‘Alan Smithee’, only to be turned down by the Guild of Directors of America.
I don’t know what happened in the cutting room to prompt this, if indeed any of it happened at all, but if the director’s cut was to really be that much better than the released film I think I’d probably have been a puddle of despair by the end of it.
The sharp black and white flashback scenes work brilliantly and help the film flow smoothly and logically, something lacking in so many ‘flashback’ reliant films.
The calibre of acting is exceptional; believable and engaging. You’ll find yourself despairing for the main character Derek Vinyard (Edward Norton), then laughing with him, starting to admire him and finally weeping for him. If you want a roller coaster of emotions, this is the film for you.
I did find some of the violence hard to watch, and still do after dozens of viewings, but both the gritty realism and surprisingly sensitive handling of what are still, even today, quite taboo subjects combine to make this the best comment on the futility, stupidity and ignorance of racism in modern society.
Watch this film at least twice; the first time should leave you rather numb, the second time you’ll see past the violence & hatred oozing from the characters and see what is not only a comment about the modern-day fatherless family unit and how racism is passed down generation to generation, but also what is ultimately a message of hope.
Review ID: 10000000004436995

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